In August 2025 a new recording was created in a remote forest cabin in Sweden. It combines field recordings of the surroundings and interacting musicians with synthesizer sounds and processed acoustic guitar tones. The material, recorded using various specialized microphones and a four-track cassette recorder, a series of experimental compositions characterized by their multi-layered structure.
- 001Noch nie so geliebt05:24
- 002Selbst im Dämmern noch leuchten03:14
- 003die Kreise, die ich06:37
- 004Noch einmal so lange träumen02:48
- 005Soweit entfernt,02:41
The EP ‘Noch einmal so lange träumen’ was recorded between 26 December 2023 and 3 January 2024 during a stay at the Worpswede Artists Residences. Inspired by the vast and atmospheric landscape of the nearby Teufelsmoor, five tracks were created that capture the mood of this environment. In January 2025, the EP was released as a cassette in a edition of 75 copies. The project takes an approach that combines sound with the special atmosphere of the location to enable an exploration of space and mood
- 001Noch nie so geliebt05:24
- 002Selbst im Dämmern noch leuchten03:11
- 003die Kreise, die ich06:37
- 004Noch einmal so lange träumen02:48
- 005Soweit entfernt,02:41
LENNART HÄUSSER
b. 1995, Hamburg, Germany
Lives and works in Hamburg, Germany
2022 – 2025 Master of Arts, HFBK Hamburg
2017 – 2022 Bachelor of Arts, HFBK Hamburg
Lennart Häusser works with sound, listening, and context. His practice explores the transitions between hearing, memory, and place. At the center of his work are field recordings, which he collects, examines, and reconfigures into new sonic constellations. His artistic process often emerges through collaboration and moves between composition, sound research, and practices of listening.
TILL KNAPP
b. 1995, Nürtingen, Germany
Lives and works in Hamburg, Germany
2023 – 2024 Master of Fine Arts, Sint-Lukas Brussels
2017 – 2022 Bachelor of Fine Arts, HFBK Hamburg
Till Knapp works with painting and sound, developing slow, minimal structures and atmospheric soundscapes through processed guitar. His painting follows a similarly reduced approach, focusing on constructed images and quiet, staged situations, often depicting objects and gestures that seem familiar yet slightly detached.